Welcome to the Spring 2025 Edition of Flute Almanac!
Dear Flute Enthusiasts,
As we step into the new season, we are thrilled to share the incredible success of Flute Almanac. Our platform continues to reach new heights, with web traffic consistently growing as flutists from all corners of the world turn to us for news, insights, and inspiration. This ongoing success is a testament to the vibrant global flute community and our shared passion for this extraordinary instrument.
A key part of this growth is our commitment to making Flute Almanac truly global, accessible, and free for all. Unlike all other platforms and magazines that require memberships or subscriptions, we provide high-quality materials at no cost, ensuring that every flutist – regardless of location or financial situation – can access valuable resources, insights, and inspiration and stay connected with the international flute community.
We are also proud to enhance this experience with instant, high-quality translations into any language. With just one click, readers can enjoy our content in their preferred language, breaking down barriers and uniting flutists worldwide.
Our mission is simple: to make flute knowledge, artistry, and innovation available to everyone, everywhere.
Celebrating Excellence at the First-Ever Global Flute Excellence Awards
One of the most groundbreaking achievements this year has been the launch of the Global Flute Excellence Awards in January 2024 – a historic event supported by Sir James and Lady Jeanne Galway, whose invaluable support helped bring this vision to life. With 30 nominees from 16 countries and a judging panel of 52 esteemed judges from 19 countries, this unprecedented celebration honored outstanding achievements across 10 categories, recognizing flutists, composers, teachers, emerging artists, and flute makers.
Unlike a competition, these Awards were designed to celebrate excellence and achievements in 2024, shining a spotlight on those who made a significant impact in the flute world. We extend our deepest gratitude to everyone who submitted nominations, uniting the global flute community in the most beautiful way – through admiration, respect, and shared appreciation for the artistry and dedication that drive our field forward.
This event would not have been possible without the tireless efforts of our organizers, Sir James and Lady Jeanne Galway, and the Judges Panel, whose expertise and commitment ensured a fair and thorough evaluation process. We are truly grateful to all who played a role in making this historic initiative a reality and look forward to continuing this tradition of honoring excellence in the years to come.
Celebrating Women & Flutes in Space
March is a time to honor and celebrate women across all fields, recognizing their remarkable contributions to society, including their impact on music, arts, science, and beyond. It is a month dedicated to empowerment, progress, and appreciation for the achievements of women throughout history.
April, in turn, marks a significant milestone in human history – the first-ever journey into space by Yury Gagarin on April 12, 1961. As the first human to orbit the Earth, Gagarin’s pioneering flight aboard Vostok 1 opened a new chapter in space exploration, forever changing our understanding of the universe. His bravery and the historic significance of this moment continue to inspire generations, reminding us of humanity’s endless pursuit of discovery.
To mark these occasions, we have prepared a fascinating article:
Flutes Among the Stars: The Astronauts Who Played Music in Space
For centuries, music has accompanied humanity on its greatest journeys, from ancient rituals to modern explorations. But what happens when music ventures beyond Earth? In this article, we explore the fascinating stories of astronauts who brought flutes into space, from Ellen Ochoa, the first flutist in orbit, to Cady Coleman’s interplanetary duet with Ian Anderson. Discover how the flute has soared among the stars, overcoming the challenges of microgravity and bringing a touch of artistry to the final frontier.
Spring 2025 Edition
We invite you to explore this new edition and enjoy the latest articles, listed below. Thank you for being part of Flute Almanac, where the world of flute comes together!
What Your Flute Playing Style Says About You
A deeply philosophical (but let’s be honest, kind of made-up) analysis of flutist personalities – crafted purely for entertainment, self-discovery, and lighthearted flute debates. Courtesy of Flute Almanac – because we take flute fun seriously!
Have you ever thought about what your flute habits reveal about your personality? Whether you thrive on technical precision, lose yourself in expressive melodies, or love pushing the limits of your instrument, every flutist has a unique musical identity. From the fearless piccolo player to the deep-thinking sound explorer, this fun and insightful guide breaks down the different flute personalities – so you can discover where you fit in!
Tango Is More Than Just Tango: Other Genres Associated with Tango
By Eduardo Tami
Tango is much more than just a dance or a musical genre—it is a rich cultural expression shaped by diverse influences. From its African and European roots to its evolution alongside jazz and other genres, tango has constantly adapted and transformed. In this article, Eduardo Tami explores the deep connections between tango and other musical styles, tracing its rhythmic and harmonic evolution from the Guardia Vieja era to modern interpretations. He also delves into the similarities and differences between tango and jazz, shedding light on their shared African influences, syncopated phrasing, and musical innovations. Discover how tango continues to evolve, incorporating new elements while maintaining its distinctive essence.
A Distinguished Report on the 6th Theobald Böhm Flute and Alto Competition
By Ludwig Böhm
The 2025 Theobald Böhm Flute and Alto Competition has concluded at Nymphenburg Palace, bringing together exceptional flutists from around the world to honor the legacy of Theobald Böhm. Over the course of a week, competitors showcased their artistry before a distinguished international jury. As the first news portal to share the official results, Flute Almanac is pleased to present an exclusive report on this prestigious event.
Histories of the Flute by Antonio Arias: A Musical Legacy for Future Generations
By Manuel Carranza Cueto
Antonio Arias’ Historias de la Flauta is a monumental work that explores the rich history, repertoire, and key figures of the flute across centuries. Recognized as an essential reference for flutists and scholars, this book has been praised by some of the world’s most renowned flutists, including Sir James Galway and Emmanuel Pahud. In this article, Manuel Carranza Cueto presents an in-depth look at Arias’ contribution to flute literature, highlighting its historical significance and comprehensive scope. The article also features an exclusive interview with Antonio Arias, where he shares insights into his research process, personal experiences, and the importance of preserving the flute’s artistic heritage for future generations.
From Sound Production to Research on the Behavior and Role of the Vocal and Respiratory System in the Flute – Part Three
By Marco Gaudino
In this third installment of Marco Gaudino’s in-depth research on flute sound production, the focus shifts to the intricate relationship between the respiratory and vocal apparatus in wind instrument playing. Exploring the role of constrictor muscles in the pharynx, this article examines how improper muscle engagement—especially among beginners – can lead to the phenomenon of “closed throat,” affecting tone quality and breath control. Gaudino delves into the physiological mechanics of airflow, the interaction between the musician’s breath and the instrument’s air column, and the aerodynamics that influence tone production. With a scientific approach grounded in research and physiological analysis, this article provides valuable insights into achieving a balanced and efficient technique, ensuring greater ease, resonance, and control in flute performance.
Piccolegio, a Space for the Enthusiastic Piccolo Player
By Mariaceli Navarro Salerno
A visionary initiative dedicated to piccolo education in Latin America, Piccolegio serves as a virtual platform for mentorship, research, and community building among piccolo players. Founded in 2017, it has grown into an essential resource, offering weekly insights on piccolo repertoire, performance tips, and historical perspectives, while also fostering an engaged network of musicians. In this article, Mariaceli Navarro Salerno shares the inspiration behind Piccolegio, its mission, and its impact, highlighting how it has become a crucial space for piccolo enthusiasts worldwide.
Schubert’s Songs in the Flutist’s Repertoire
By Marina Vologdina
Schubert’s songs have long captivated musicians with their lyrical beauty and expressive depth, making them a natural source of inspiration for flutists. While the human voice remains the ultimate expressive instrument, the flute is often compared to it for its warmth, agility, and nuance. Over the centuries, flutists and composers have sought to adapt Schubert’s vocal masterpieces into instrumental works, preserving their emotional impact while exploring new timbral possibilities. From Trockne Blumen and Ständchen to the delicate melodies of Winterreise and Schwanengesang, these transcriptions highlight the flute’s ability to sing with the same poignancy and grace as the human voice.
Gazzelloni POP: An Artist Beyond the Box
By Maurizio Bignardelli
Severino Gazzelloni was not just a virtuoso flutist but a groundbreaking artist who transcended traditional boundaries to bring the flute into the mainstream. Maurizio Bignardelli explores the lesser-known side of Gazzelloni’s career – his foray into popular culture, television, cinema, and even advertising. This article delves into his collaborations with renowned artists, his influence on pop music, and his ability to connect with audiences across all social classes. From performing with jazz legends and pop stars to composing film scores and recording best-selling albums, Gazzelloni redefined what it meant to be a flutist, making his golden instrument a symbol of artistic versatility and charisma.
“Dance of the Goat”: A Solo Flute Masterpiece by Arthur Honegger
By Performing Flutist
Few solo flute pieces have left as lasting an impression as Arthur Honegger’s Danse de la Chèvre (1921). Originally composed as stage music, it has since taken on a life of its own, captivating flutists with its expressive freedom, contrasting sections, and fluid transitions between dreamlike melodies and lively dance rhythms. But what inspired Honegger to write it, and how should it be interpreted? This article delves into the origins, structure, and artistic impact of this unique work, which remains a cornerstone of the modern flute repertoire.
Further Shaping Exercises
By Timothy Lane
Building upon previous articles in The Babel Flute and Flute Almanac, Timothy Lane introduces new expressive shaping exercises that refine how flutists approach legato, phrasing, and motion. By exploring how spatial movement influences sound perception, Lane presents techniques to shape phrases through dynamics, vibrato, and air control. This article offers practical studies on shaping approaches, receding motions, silent holds, detours, and contrasts – giving flutists deeper insight into expressive possibilities. Whether refining musical arches or incorporating silent motion, these exercises help develop greater control and artistry in flute performance.
Lucrecia Roces Kasilag: Pioneer of Filipino Music
By Vilma Campitelli
Known as “Tita King,” Lucrecia Roces Kasilag was a trailblazer in Filipino music, blending indigenous traditions with Western classical techniques. A composer, educator, and cultural visionary, she dedicated her life to elevating Philippine music on the world stage. This article explores her extraordinary career—from her early years as a pianist to her groundbreaking work in ethnomusicology and composition. With over 300 works spanning various genres, Kasilag’s legacy continues to shape Philippine music and inspire future generations.
“Will You Play Upon This Pipe?” The Flute as a Symbol in Shakespeare’s Works
By Yulia Berry
Shakespeare’s few references to the flute are far from incidental—each carries deep symbolic meaning. From manipulation in Hamlet to theatrical transformation in A Midsummer Night’s Dream and divine seduction in Antony and Cleopatra, the flute becomes a powerful tool of persuasion and illusion. In this article, Yulia Berry explores how Shakespeare uses the instrument not just as a musical device, but as a reflection of human nature and control.
Sofia Gubaidulina: A Visionary Composer and Her Profound Legacy for the Flute
By Yulia Berry
As we prepared to release this edition of Flute Almanac, the world received the heartbreaking news of the passing of Sofia Gubaidulina, one of the most extraordinary composers of our time. Her music, rich in spiritual depth and innovation, has left an indelible mark on contemporary classical music and, in particular, the flute repertoire.
The significance of her contributions to the flute cannot be overstated. Gubaidulina redefined the instrument’s expressive capabilities, crafting works that demand both technical mastery and profound emotional engagement. From the deeply introspective Sonatina for Solo Flute to the groundbreaking Music for Flute, Strings, and Percussion, her compositions expanded the possibilities of flute performance, making them essential repertoire for flutists worldwide.
We felt it was essential to dedicate a special feature to honor her life, music, and legacy in this issue. Her passing marks the end of an era, but her voice will continue to resonate through her works, inspiring generations to come.
Stefán Ragnar Höskuldsson Appointed Principal Flutist of the Berliner Philharmoniker
Just as we were preparing to release this edition of Flute Almanac, another major announcement shook the flute world Stefán Ragnar Höskuldsson has been appointed Principal Flutist of the Berliner Philharmoniker. This prestigious appointment is a testament to his exceptional artistry and dedication, further solidifying his place among the world’s leading flutists. In January 2025, Höskuldsson was also named Performer of the Year in the Global Flute Excellence Awards, recognizing his outstanding contributions to the flute community. Congratulations, Stefán!
As we embrace the Spring 2025 edition of Flute Almanac, we are reminded of the incredible diversity and boundless creativity within the global flute community. From historical insights to modern innovations, technical explorations to artistic expressions, this issue reflects the shared passion that unites flutists worldwide.
So let’s keep playing, keep exploring, and most importantly, keep being unapologetically OURSELVES as flutists. Because no matter your style, the world always needs more flute!
Happy Spring, and happy fluting!
