Simple or not simple – that is the question Gyula, Czeloth-Csetényi: You chose the flute as the instrument through which you would explore and ex...
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Introduzione La prima nota biografica su Luigi Marini (Flautista e compositore nato a Gubbio nel 1803 e morto a Palermo nel 1886) che denota un c...
Если верить данным цифровой антропологии, то к середине XXI века взаимодействие музыканта с нотным текстом претерпит окончательную и необратимую ...
In the world of flute literature, few names are as universally recognized — yet as insufficiently understood — as Joachim Andersen. His études sh...
Three years ago, in December 2022, I wrote an extensive article for The Babel Flute titled “Important Lessons for Flutists from Leonardo da Vinci...
В первой части — «Первые шаги юных флейтистов. Часть I. Дыхание и звукоизвлечение: основа флейтовой техники» — мы рассмотрели важнейшие основы иг...
When a museum devotes a major international exhibition entirely to the flute, the global flute community takes notice. Recognizing the importance...
When the Musical Instrument Museum (MIM) in Phoenix opened The Magical Flute: Beauty, Enchantment, and Power, it quietly achieved something unpre...
Editorial Introduction Flute Almanac is honored to present this exclusive travel report by Ludwig Böhm, the world’s foremost historian and c...
Editorial Introduction Maurice Sharp stands as one of the most quietly influential figures in American flute history. For more than four decades ...