Articoli precedenti: La Parte 1 è stata pubblicata nella rivista dell’autunno 2024 La seconda parte è stata pubblicata sulla rivista Winter 2025 ...
Your Global Flute Resource, Your Voice
Fall 2025
La evolución del concierto para flauta: de Europa a Latinoamérica A pesar que la palabra “concierto” aparece en la historia de la música desde la...
The flute world has always been vast, vibrant, and inspiring — but also fragmented. Until now. With the launch of the Flute Almanac Directory (fl...
Today I am speaking with Yulia Berry — flutist, educator, and visionary founder of Flute Almanac, the leading global flute magazine. In less than...
A Forgotten Voice of the 18th Century The name Niccolò (Nicolas) Dôthel is one that rarely surfaces today, yet in the late 18th century he was re...
Abstract Talentuosa e sensibile, vivace e risoluta, la compositrice francese Mélanie Bonis, è una testimonianza straordinaria della generazione d...
FLAUTANDO Boswil has long been known as one of Europe’s most beloved flute gatherings, taking place at the historic Künstlerhaus Boswil in Switze...
In this article I will attempt to present the origin of the tsakan (csakan or csákány) from a Hungarian perspective in connection with a notable ...
Have you ever been frustrated in your practicing by inconsistent results? Some days you work and work on a phrase and have it nailed, the next da...
It’s generally agreed that Edgard Varèse was the first composer to notate key clicks, in his composition for solo flute written for Georges Barrè...