There is an historically based case for interpreting Wolfgang Amadeus Mozart’s D-Major Flute Concerto with an increased degree of expressive vari...
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A Raised Hand in the Killing Fields In a Cambodian temple turned into a killing camp, a frightened boy once raised his hand. The Khmer Rouge offi...
So, you love the flute. You really love the flute. But your roommate, your cat, and the guy three apartments down who hears your Daphnis and Chlo...
I do not see scales as abstract. Scales played in the correct musical way are very exciting and rewarding. The more play them the better you get ...
In three previous articles published in The Babel Flute and Flute Almanac understanding expressive shaping and legato has been presented via an u...
There are days that never leave you. Moments that burn into your memory so vividly, you can recall the smell of the air, the pressure in your che...
A Scientific and Artistic Recalibration of Wind Instrument Pedagogy Marco Gaudino’s Nel respigo degli strumenti a fiato (In the breath of wind in...
For centuries, humans have looked up at the night sky with wonder, dreaming of traveling beyond our planet. When that dream became reality with s...
Shakespeare’s plays contain remarkably few references to the flute, yet when he does mention it, the instrument is laden with meaning. From manip...
In two previous articles published in The Babel Flute and Flute Almanac understanding expressive shaping and legato has been presented via an und...