In a world increasingly focused on personal expression, speed, and convenience, the quiet strength of etiquette — particularly in music — risks b...
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In this article I will attempt to present the origin of the tsakan (csakan or csákány) from a Hungarian perspective in connection with a notable ...
La evolución del concierto para flauta: de Europa a Latinoamérica A pesar que la palabra “concierto” aparece en la historia de la música desde la...
It’s generally agreed that Edgard Varèse was the first composer to notate key clicks, in his composition for solo flute written for Georges Barrè...
In a time when the flute repertoire is often dominated by Baroque elegance or contemporary experimentation, the Romantic voice of Luigi Hugues (1...
As a flutist trained in Western classical traditions, my discovery of the shakuhachi - the traditional Japanese bamboo flute - marked a profound ...
Un entusiasmo che dura da decenni Come concertista di flauto, ho mantenuto un vivo entusiasmo per l’arte di Vincenzo De Michelis sin dal 1993. Na...
A major highlight of this year’s professional development calendar in Austria was the fully booked, two-day Flute Intensive with Swiss flutist an...
Abstract Kaija Saariaho figura centrale della musica contemporanea internazionale del XX e XXI secolo. Finlandese di nascita, è stata una delle v...
La connessione tra tecnica flautistica e biomusica è affascinante, poiché entrambe le discipline esplorano l'interazione tra ...