Articoli precedenti: La Parte 1 è stata pubblicata nella rivista dell’autunno 2024 La seconda parte è stata pubblicata sulla rivista Winter 2025 ...
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In a world increasingly focused on personal expression, speed, and convenience, the quiet strength of etiquette — particularly in music — risks b...
In this article I will attempt to present the origin of the tsakan (csakan or csákány) from a Hungarian perspective in connection with a notable ...
La evolución del concierto para flauta: de Europa a Latinoamérica A pesar que la palabra “concierto” aparece en la historia de la música desde la...
In three previous articles published in The Babel Flute and Flute Almanac understanding expressive shaping and legato has been presented via an u...
There are days that never leave you. Moments that burn into your memory so vividly, you can recall the smell of the air, the pressure in your che...
Seit 1983 hat das Querflötenensemble Vienna Flautists bedeutende Werke der Klavier- und Streicherliteratur für Flötenensemble arrangiert und unte...
La Parte 1 è stata pubblicata nella rivista dell’autunno 2024 La seconda parte è stata pubblicata sulla rivista Winter 2025 Parte terza: Dalla pr...
A Scientific and Artistic Recalibration of Wind Instrument Pedagogy Marco Gaudino’s Nel respigo degli strumenti a fiato (In the breath of wind in...
A few years ago, I began researching effects pedals for the transverse flute. As a professional in the amplified music environment, I wanted to e...