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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260129
DTEND;VALUE=DATE:20260130
DTSTAMP:20260403T181726
CREATED:20240730T160347Z
LAST-MODIFIED:20240730T160454Z
UID:10000484-1769644800-1769731199@flutealmanac.com
SUMMARY:Aurèle Nicolet died in 2016
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/aurele-nicolet-died-in-2016/2026-01-29/
LOCATION:January 29\, 2016\, Freiburg im Breisgau\, Germany
CATEGORIES:Deaths
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/07/Screenshot_20240727_123329_Google.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260130
DTEND;VALUE=DATE:20260131
DTSTAMP:20260403T181726
CREATED:20240730T152908Z
LAST-MODIFIED:20240730T153049Z
UID:10000462-1769731200-1769817599@flutealmanac.com
SUMMARY:Birthday of Johann Joachim Quantz
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/birthday-of-johann-joachim-quantz/2026-01-30/
LOCATION:January 30\, 1697\, Scheden\, Germany
CATEGORIES:Birthdays
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/07/Quantz_by_Gerhard.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260225
DTEND;VALUE=DATE:20260226
DTSTAMP:20260403T181726
CREATED:20240821T134520Z
LAST-MODIFIED:20240821T134520Z
UID:10000612-1771977600-1772063999@flutealmanac.com
SUMMARY:Premiere of Jacques Ibert's Flute Concerto
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/premiere-of-jacques-iberts-flute-concerto/2026-02-25/
LOCATION:February 25\, 1934\, Paris\, France
CATEGORIES:Premiere
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/08/al18761_0.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260315
DTEND;VALUE=DATE:20260316
DTSTAMP:20260403T181726
CREATED:20240730T154709Z
LAST-MODIFIED:20240730T155043Z
UID:10000474-1773532800-1773619199@flutealmanac.com
SUMMARY:Michel de la Barre (1675-1745)
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/michel-de-la-barre-1675-1745/2026-03-15/
LOCATION:c. 1675 – 15 March 1745\, France
CATEGORIES:Birthdays,Deaths
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/07/Michel_de_La_Barre.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260315
DTEND;VALUE=DATE:20260316
DTSTAMP:20260403T181726
CREATED:20240821T133237Z
LAST-MODIFIED:20240821T133430Z
UID:10000608-1773532800-1773619199@flutealmanac.com
SUMMARY:Premiere of Carl Reinecke's Flute Concerto
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/premiere-of-carl-reineckes-flute-concerto/2026-03-15/
LOCATION:March 15\, 1909\, Leipzig\, Germany
CATEGORIES:Premiere
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/08/9790004211274.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260331
DTEND;VALUE=DATE:20260401
DTSTAMP:20260403T181726
CREATED:20240820T015922Z
LAST-MODIFIED:20240820T235554Z
UID:10000556-1774915200-1775001599@flutealmanac.com
SUMMARY:Birthday of Johann Sebastian Bach
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/birthday-of-johann-sebastian-bach/2026-03-31/
LOCATION:March 31\, 1685\, Eisenach\, Germany
CATEGORIES:Birthdays
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/08/Johann_Sebastian_Bach.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260407
DTEND;VALUE=DATE:20260408
DTSTAMP:20260403T181727
CREATED:20240820T021502Z
LAST-MODIFIED:20240820T021703Z
UID:10000564-1775520000-1775606399@flutealmanac.com
SUMMARY:Birthday of Verne Q. Powell
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/birthday-of-verne-q-powell/2026-04-07/
LOCATION:April 7\, 1879\, Danville\, IN\, United States
CATEGORIES:Birthdays
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/08/Screenshot_20240808_003700_Gallery.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260409
DTEND;VALUE=DATE:20260410
DTSTAMP:20260403T181727
CREATED:20240729T140653Z
LAST-MODIFIED:20240729T141110Z
UID:10000311-1775692800-1775779199@flutealmanac.com
SUMMARY:Birthday of Theobald Böhm
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/birthday-of-theobald-bohm/2026-04-09/
LOCATION:April 9\, 1794\, Munich\, Germany
CATEGORIES:Birthdays
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/07/Screenshot_20221207_084135.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260410
DTEND;VALUE=DATE:20260411
DTSTAMP:20260403T181727
CREATED:20240821T031730Z
LAST-MODIFIED:20240821T131520Z
UID:10000596-1775779200-1775865599@flutealmanac.com
SUMMARY:Premiere of Paul Hindemith's Sonata for Flute and Piano
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/premiere-of-paul-hindemiths-sonata-for-flute-and-piano/2026-04-10/
LOCATION:April 10\, 1937\, Library of Congress\, Washington\, D.C.\, United States
CATEGORIES:Premiere
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/08/49003799_70b3fbf9-59e8-4591-a191-7906aca4abfa.webp
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20260429
DTEND;VALUE=DATE:20260430
DTSTAMP:20260403T181727
CREATED:20240730T151538Z
LAST-MODIFIED:20240730T151652Z
UID:10000457-1777420800-1777507199@flutealmanac.com
SUMMARY:Birthday of Joachim Andersen
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/birthday-of-joachim-andersen/2026-04-29/
LOCATION:April 29\, 1847\, Copenhagen\, Denmark
CATEGORIES:Birthdays
ATTACH;FMTTYPE=image/jpeg:https://flutealmanac.com/wp-content/uploads/2024/07/Screenshot_20240727_221332_Google.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260515
DTEND;VALUE=DATE:20260516
DTSTAMP:20260403T181727
CREATED:20240820T022216Z
LAST-MODIFIED:20240820T022350Z
UID:10000568-1778803200-1778889599@flutealmanac.com
SUMMARY:Happy Birthday to Eva Kingma
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/happy-birthday-to-eva-kingma/2026-05-15/
LOCATION:May 15\, 1956\, Delft\, Netherlands
CATEGORIES:Birthdays
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/08/Eva_171210_1541_75-scaled-e1612778745339.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260517
DTEND;VALUE=DATE:20260518
DTSTAMP:20260403T181727
CREATED:20240729T212759Z
LAST-MODIFIED:20240729T213002Z
UID:10000409-1778976000-1779062399@flutealmanac.com
SUMMARY:Birthday of Marcel Moyse
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/birthday-of-marcel-moyse/2026-05-17/
LOCATION:May 17\, 1889\, Saint-Amour\, France
CATEGORIES:Birthdays
ATTACH;FMTTYPE=image/jpeg:https://flutealmanac.com/wp-content/uploads/2024/07/Moyse.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260517
DTEND;VALUE=DATE:20260518
DTSTAMP:20260403T181727
CREATED:20240730T150209Z
LAST-MODIFIED:20240730T150435Z
UID:10000451-1778976000-1779062399@flutealmanac.com
SUMMARY:Birthday of Louis Lot
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/birthday-of-louis-lot/2026-05-17/
LOCATION:May 17\, 1807\, La Couture-Boussey\, France
CATEGORIES:Birthdays
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/07/Screenshot_20240727_235350_eBay.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260618
DTEND;VALUE=DATE:20260619
DTSTAMP:20260403T181727
CREATED:20240821T125802Z
LAST-MODIFIED:20240821T130021Z
UID:10000584-1781740800-1781827199@flutealmanac.com
SUMMARY:Premiere of Poulenc's Sonata for Flute and Piano
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/premiere-of-poulencs-sonata-for-flute-and-piano/2026-06-18/
LOCATION:June 18\, 1957\, Strasbourg\, France
CATEGORIES:Premiere
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/08/Screenshot_20240820_215004_YouTube.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260712
DTEND;VALUE=DATE:20260713
DTSTAMP:20260403T181727
CREATED:20240730T153735Z
LAST-MODIFIED:20240730T153824Z
UID:10000468-1783814400-1783900799@flutealmanac.com
SUMMARY:Johann Joachim Quantz died in 1773
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/johann-joachim-quantz-died-in-1773/2026-07-12/
LOCATION:July 12\, 1773\, Potsdam\, Germany
CATEGORIES:Deaths
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/07/1212px-Quantz_by_Schleuen.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260716
DTEND;VALUE=DATE:20260717
DTSTAMP:20260403T181727
CREATED:20240924T123815Z
LAST-MODIFIED:20240924T124029Z
UID:10000629-1784160000-1784246399@flutealmanac.com
SUMMARY:Premiere of Claude Bolling's Suite for Flute and Jazz Piano Trio
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/premiere-of-claude-bollings-suite-for-flute-and-jazz-piano-trio/2026-07-16/
LOCATION:July 16\, 1975\, France
CATEGORIES:Premiere
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/09/SuiteForFluteAndJazzPiano1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260723
DTEND;VALUE=DATE:20260724
DTSTAMP:20260403T181727
CREATED:20240820T015548Z
LAST-MODIFIED:20240820T235404Z
UID:10000552-1784764800-1784851199@flutealmanac.com
SUMMARY:Jean-Louis Tulou died in 1865
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/jean-louis-tulou-died-in-1865/2026-07-23/
LOCATION:July 23\, 1865\, Nantes\, France
CATEGORIES:Deaths
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/08/image_carjat_cie_portrait_de_jea_ph57175_320421-scaled-1.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260728
DTEND;VALUE=DATE:20260729
DTSTAMP:20260403T181727
CREATED:20240819T024531Z
LAST-MODIFIED:20240820T235544Z
UID:10000537-1785196800-1785283199@flutealmanac.com
SUMMARY:Johann Sebastian Bach died in 1750
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/johann-sebastian-bach-died-in-1750/2026-07-28/
LOCATION:July 28\, 1750\, Leipzig\, Germany
CATEGORIES:Deaths
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/08/B5N4USSGKYL7PL3NEAQBWEHIIQ.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260729
DTEND;VALUE=DATE:20260730
DTSTAMP:20260403T181727
CREATED:20240729T142300Z
LAST-MODIFIED:20240729T154144Z
UID:10000317-1785283200-1785369599@flutealmanac.com
SUMMARY:Leonardo De Lorenzo died in 1962
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/leonardo-de-lorenzo-died-in-1962/2026-07-29/
LOCATION:July 29\, 1962\, Santa Barbara\, CA\, United States
CATEGORIES:Deaths
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/07/Leonardo_De_Lorenzo_in_1913.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260730
DTEND;VALUE=DATE:20260731
DTSTAMP:20260403T181727
CREATED:20240729T144629Z
LAST-MODIFIED:20240729T151423Z
UID:10000323-1785369600-1785455999@flutealmanac.com
SUMMARY:Louis Moyse died in 2007
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/louis-moyse-died-in-2007/2026-07-30/
LOCATION:July 30\, 2007\, Montpelier\, VT\, United States
CATEGORIES:Deaths
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/07/Screenshot_20240729_111123_Gallery.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260802
DTEND;VALUE=DATE:20260803
DTSTAMP:20260403T181727
CREATED:20240729T150506Z
LAST-MODIFIED:20240729T150801Z
UID:10000328-1785628800-1785715199@flutealmanac.com
SUMMARY:Birthday of Jeanne Baxtresser
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/birthday-of-jeanne-baxtresser/2026-08-02/
LOCATION:August 2\, 1947\, Bethlehem\, PA\, United States
CATEGORIES:Birthdays
ATTACH;FMTTYPE=image/jpeg:https://flutealmanac.com/wp-content/uploads/2024/07/darkblouse.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260808
DTEND;VALUE=DATE:20260809
DTSTAMP:20260403T181728
CREATED:20240729T135410Z
LAST-MODIFIED:20240729T135829Z
UID:10000306-1786147200-1786233599@flutealmanac.com
SUMMARY:Birthday of Cécile Chaminade
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/birthday-of-cecile-chaminade/2026-08-08/
LOCATION:August 8\, 1857\, Paris\, France
CATEGORIES:Birthdays
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/07/Cecile_chaminade.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260808
DTEND;VALUE=DATE:20260809
DTSTAMP:20260403T181728
CREATED:20240729T164835Z
LAST-MODIFIED:20240729T165017Z
UID:10000349-1786147200-1786233599@flutealmanac.com
SUMMARY:Birthday of André Jolivet
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/birthday-of-andre-jolivet/2026-08-08/
LOCATION:August 8\, 1905\, Paris\, France
CATEGORIES:Birthdays
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/07/Andre_Jolivet_1930.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260810
DTEND;VALUE=DATE:20260811
DTSTAMP:20260403T181728
CREATED:20240729T170604Z
LAST-MODIFIED:20240729T170746Z
UID:10000354-1786320000-1786406399@flutealmanac.com
SUMMARY:Birthday of Ian Anderson
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/birthday-of-ian-anderson/2026-08-10/
LOCATION:August 10\, 1947\, Dunfermline\, Scotland\, United Kingdom
CATEGORIES:Birthdays
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/07/Jan-Andersen.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260810
DTEND;VALUE=DATE:20260811
DTSTAMP:20260403T181728
CREATED:20240729T223635Z
LAST-MODIFIED:20240729T223747Z
UID:10000420-1786320000-1786406399@flutealmanac.com
SUMMARY:First NFA Convention held in 1973
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/first-nfa-convention-held-in-1973/2026-08-10/
LOCATION:August 10\, 1973\, Anaheim\, CA\, United States
CATEGORIES:Anniversary,Convention
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/07/IMG_20220927_085357_533.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260813
DTEND;VALUE=DATE:20260814
DTSTAMP:20260403T181728
CREATED:20240730T161510Z
LAST-MODIFIED:20240731T082148Z
UID:10000497-1786579200-1786665599@flutealmanac.com
SUMMARY:Birthday of Johann Christoph Denner
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/birthday-of-johann-christoph-denner/2026-08-13/
LOCATION:August 13\, 1655\, Leipzig\, Germany
CATEGORIES:Birthdays
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/07/Screenshot_20240730_121232_Gallery.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260814
DTEND;VALUE=DATE:20260815
DTSTAMP:20260403T181728
CREATED:20240729T153607Z
LAST-MODIFIED:20240729T153856Z
UID:10000334-1786665600-1786751999@flutealmanac.com
SUMMARY:Birthday of Louis Moyse
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/birthday-of-louis-moyse/2026-08-14/
LOCATION:August 14\, 1912\, Scheveningen\, Netherlands
CATEGORIES:Birthdays
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/07/Screenshot_20240724_103822_Chrome.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20260814T080000
DTEND;TZID=UTC:20260814T170000
DTSTAMP:20260403T181728
CREATED:20240729T172153Z
LAST-MODIFIED:20240729T172431Z
UID:10000359-1786694400-1786726800@flutealmanac.com
SUMMARY:Birthday of Friedrich Dülon
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/birthday-of-friedrich-dulon/2026-08-14/
LOCATION:August 14\, 1768\, Oranienburg\, Germany
CATEGORIES:Birthdays
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/07/Screenshot_20240724_105536_Chrome.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260815
DTEND;VALUE=DATE:20260816
DTSTAMP:20260403T181728
CREATED:20240729T173427Z
LAST-MODIFIED:20240729T173602Z
UID:10000364-1786752000-1786838399@flutealmanac.com
SUMMARY:Birthday of Jacques Ibert
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/birthday-of-jacques-ibert/2026-08-15/
LOCATION:August 15\, 1890 – February 5\, 1962\, Paris\, France
CATEGORIES:Birthdays
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/07/Jacques_Ibert.webp
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DTSTART;VALUE=DATE:20260819
DTEND;VALUE=DATE:20260820
DTSTAMP:20260403T181728
CREATED:20240729T174414Z
LAST-MODIFIED:20240729T174642Z
UID:10000369-1787097600-1787183999@flutealmanac.com
SUMMARY:Birthday of George Enescu
DESCRIPTION:The Premiere of Jacques Ibert’s Flute ConcertoThe premiere of Jacques Ibert’s Flute Concerto on February 25\, 1934\, in Paris\, was a defining moment in 20th-century flute music. Composed in 1932-1933\, the concerto was written for the virtuoso flutist Marcel Moyse and commissioned by the Paris Conservatoire. The work quickly established itself as one of the most significant contributions to the flute repertoire\, celebrated for its technical demands and expressive depth. Jacques Ibert: A Composer’s JourneyBorn in Paris in 1890\, Jacques Ibert was a classmate of Arthur Honegger and Darius Milhaud at the Conservatoire. Although not a member of the famed group Les Six\, Ibert was on friendly terms with its members and even collaborated with Honegger on the opera L’Aiglon (1937). His career\, delayed by his service during World War I\, took off in 1924 when the Lamoureux Orchestra premiered his lively and colorful symphonic suite Escales (Ports of Call). This was followed by the success of his one-act opera buffa Angélique in 1927\, which became one of the most frequently performed stage works in France during that period. Ibert also gained recognition for his work on the film Don Quixote (1932)\, starring Feodor Chaliapin. Despite his embarrassment at winning a secret competition that saw Maurice Ravel’s submission passed over\, Ibert’s songs for the film are celebrated for their beauty. Appointed as the director of the French Academy in Rome in 1937\, Ibert’s tenure was interrupted by the Vichy regime during World War II but resumed after the war\, lasting until 1960. The First PerformanceThe Flute Concerto was first performed by Marcel Moyse\, accompanied by the Société des Concerts du Conservatoire\, conducted by Philippe Gaubert. The premiere took place at the Salle Gaveau in Paris\, amidst a turbulent political atmosphere\, just weeks after violent demonstrations on the Place de la Concorde that resulted in 15 deaths and the resignation of the prime minister. Despite these dramatic circumstances\, Ibert’s concerto was a celebration of the flute’s technical and expressive possibilities\, continuing the legacy of pioneering flutists like Paul Taffanel and Marcel Moyse himself. Structure and Musical ContentIbert’s Flute Concerto is structured in three movements\, each with distinct character and mood: Allegro: The opening movement is lively and exuberant\, showcasing the flute’s capacities for virtuosity. The movement is characterized by syncopation\, rapid passages\, and unexpected harmonic shifts that give it a sense of excitement and unpredictability. Andante: The second movement offers a lyrical contrast\, with a flowing\, song-like melody that highlights the flute’s expressive potential. This movement is marked by its serene and reflective mood\, though it is briefly interrupted by soft\, ominous chords in the winds. The movement’s intense but restrained lyricism has been compared to the slow movement of Ravel’s Concerto in G\, a near-contemporary work. Allegro Scherzando: The final movement returns to the high spirits of the first\, with playful\, rapid passages and intricate interactions between the flute and orchestra. This movement also echoes the quiet mood of the second movement in its middle section before culminating in a dazzling conclusion. The Importance of the ConcertoIbert’s Flute Concerto is a cornerstone of the modern flute repertoire\, admired for its balance of technical challenge and expressive depth. The work is a quintessential example of French flute music from the early 20th century\, embodying the elegance\, wit\, and clarity that characterize much of the French musical tradition. The premiere of the Flute Concerto had a profound impact on the flute community. It provided flutists with a major new work that demanded both technical excellence and interpretative sensitivity\, raising the bar for what was expected of professional flutists. The concerto’s popularity has only grown since its premiere\, with countless performances by flutists around the world. ConclusionThe premiere of Jacques Ibert’s Flute Concerto was a pivotal event in the history of flute music. Marcel Moyse’s performance brought the work to life\, and the concerto has since become one of the most important and frequently performed pieces in the flute repertoire. Its combination of technical brilliance\, lyrical beauty\, and playful energy continues to inspire flutists and delight audiences\, ensuring its place as a timeless masterpiece in the world of classical music. 								\n				\n					\n				\n		\n					\n				\n				\n					Listen to the performance of Ibert's Concerto by Marcel Moyse				\n				\n					\n				\n		\n					\n				\n				\n							\n					\n						\n				\n					\n				\n				\n						\n					\n			\n						\n				\n					\n	« All Events\n 				\n				\n				\n				\n				\n				\n					\n	Premiere of Jacques Ibert’s Flute Concerto				\n				\n				\n				\n					\n		\n			February 25\n\n		\n\n\n	\n				\n				\n				\n				\n				\n				\n					\n	\n				\n				\n				\n						\n					\n			\n						\n				\n					\n	\n\n	Categories:	\n		Premiere	\n\n				\n				\n				\n				\n					\n	\n	Tags:	\n		\n	Jacques Ibert\,\n\n	Marcel Moyse\n	\n\n				\n				\n				\n				\n					\n		\n				\n			\n						\n				\n					\n	\n			\n			Paris Conservatoire			\n	\n\n	\n	\n					\n						\n	 \n\n\n	 \n\n\n	\n					\n						\n	 \n\n\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n				\n				\n	\n			\n		February 25\, 1934			\n	\n	\n	\n\n\n	Paris\,\n\n\n\n	France\n\n\n\n\n	+ Google Map \n\n\n	\n					\n						\n	 \n\n\n	\n	 \n\n\n\n	\n\n\n\n		\n	\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n	\n	Add to calendar	\n		\n	\n\n		\n			\n									\n	Google Calendar\n\n									\n	iCalendar\n\n									\n	Outlook 365\n\n									\n	Outlook Live\n\n							\n		\n\n		\n	\n\n				\n				\n					\n		\n					\n		\n				\n						\n					\n			\n						\n				\n					\n	\n		\n\n				Birthday of Johann Joachim Quantz	\n\n\n		\n	\n		Michel de la Barre (1675-1745)
URL:https://flutealmanac.com/event/birthday-of-george-enescu/2026-08-19/
LOCATION:August 19\, 1881\, Liveni\, Romania
CATEGORIES:Birthdays
ATTACH;FMTTYPE=image/webp:https://flutealmanac.com/wp-content/uploads/2024/07/Georges_Enesco_1930.webp
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