The Winter 2026 edition of Flute Almanac stands as one of our most ambitious and internationally resonant issues to date — a publication shaped b...
Your Global Flute Resource, Your Voice
Winter 2026
Music does not survive through sound alone. Performances fade, traditions evolve, and techniques change with time. What allows an art form to end...
Three years ago, in December 2022, I wrote an extensive article for The Babel Flute titled “Important Lessons for Flutists from Leonardo da Vinci...
Abstract Marcela Agudelo è una delle personalità più importanti e rispettate della composizione musicale messicana con un corpus di opere et...
Versuch 1: Der Begriff des „Musicians Musician“ ist in Europa nur wenig und in der Welt der „klassischen Musik“ so gut wie gar nicht verbreitet. ...
The annual FLAUTANDO «Surprise – Surround Concert» returns to Boswil in January 2026 with a breathtaking program titled Die Magie der Flöte — The...
Simple or not simple – that is the question Gyula, Czeloth-Csetényi: You chose the flute as the instrument through which you would explore and ex...
Introduzione La prima nota biografica su Luigi Marini (Flautista e compositore nato a Gubbio nel 1803 e morto a Palermo nel 1886) che denota un c...
Lea la Parte 1 → Parte 2 → En la entrega anterior habíamos llegado hasta el compás Nro. 51. El siguiente pasaje, está en modo mayor, eso hace que...
In the world of flute literature, few names are as universally recognized — yet as insufficiently understood — as Joachim Andersen. His études sh...