Versuch 1: Der Begriff des „Musicians Musician“ ist in Europa nur wenig und in der Welt der „klassischen Musik“ so gut wie gar nicht verbreitet. ...
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When the Musical Instrument Museum (MIM) in Phoenix opened The Magical Flute: Beauty, Enchantment, and Power, it quietly achieved something unpre...
Editorial Introduction Flute Almanac is honored to present this exclusive travel report by Ludwig Böhm, the world’s foremost historian and c...
Editorial Introduction Maurice Sharp stands as one of the most quietly influential figures in American flute history. For more than four decades ...
Abstract Marcela Agudelo è una delle personalità più importanti e rispettate della composizione musicale messicana con un corpus di opere et...
Introduction: A Virtuoso’s Trap In the world of classical music, excellence is often equated with individuality: a unique sound, a signature inte...
Introduzione La prima nota biografica su Luigi Marini (Flautista e compositore nato a Gubbio nel 1803 e morto a Palermo nel 1886) che denota un c...
As a Russian musician trained at the St. Petersburg State Conservatory, I grew up with the phrase “тянуть звук” — literally “to pull the sound.” ...
В предыдущей публикации — «Первые шаги юных флейтистов. Часть I. Дыхание и звукоизвлечение: основа флейтовой техники» — мы рассмотрели важнейшие ...
La evolución del concierto para flauta: de Europa a Latinoamérica A pesar que la palabra “concierto” aparece en la historia de la música desde la...